Entertainment
Temitope Osoba Fiancee Reveals Real Cause Of Fiance’s Death
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Prophet Itunu Onadeko, the fiancé of late Nollywood actress Temitope Osoba, has said she died at a police station in Ikorodu, Lagos State, dismissing claims that her death was caused by breast cancer, poisoning or maltreatment.
Onadeko made the disclosure in an interview with the Celestial Reality Check (Media Investigative Unit of the CCC) on Saturday.
He said he was informed about Osoba’s death by an unidentified person who called him around midnight.
“It was a random person that called me around 12 am that she died in a police station in Ikorodu,” he said.
Onadeko, who is the Shepherd-in-charge of CCC Onibuore Cathedral, Bogije, Ibeju-Lekki area of Lagos State, said he did not know the particular police station where Osoba died but reported himself at a nearby station.
He said Osoba had gone to see one Mrs Kehinde Osoba, who he said also runs a church, shortly before her death.
“She had insisted to see Mrs Kehinde Osoba, she also has a church, although she said she wanted to see me too. When they left for there, I told them that I wasn’t chanced to go that day because of church programmes.
“The hairdresser that Tope was sleeping in her place was the person that went with her. We maintained communication and she even posted ‘Ogo tun tun’ until I heard that she died in the police station,” he said.
The prophet also denied knowing the exact police station where Osoba died.
“Although I don’t know the police station she died but I reported myself in a nearby one.”
His claim comes amid reports and social media speculation linking Osoba’s death to her previous battle with breast cancer and alleged maltreatment by her fiancé’s family.
Osoba had publicly spoken about her cancer experience, including her treatment and surgery. In 2024, she announced her return to the public after the experience, describing the period as one that led to her healing, growth and empowerment.
However, Onadeko insisted that although Osoba had battled cancer and undergone surgery, the illness was not responsible for her death.
“When I first met her, after I did a redemption prayer for her, she told me she wants to do a surgery on cancer. I prayed for her. In fact the day, she planned for her surgery, she did a skit with Boda Wasiu and then we moved to Evacare Hospital,” he said.
Onadeko also denied allegations that he had access to money donated to Osoba for her surgery or used the money to build his church.
“Who has an evidence that the money she got for her surgery is N30m? It wasn’t my account they sent the money to, it was hers. And I didn’t use the money to build church as rumoured. What I know is that people gave her money including Mike Adenuga who offered her a cheque. I never had access to her money.
“I met Tope like two years ago and the church has been there since 20 years ago. The church is complete before she even joined us. It has been roofed and painted,” he said.
The prophet further denied claims that Osoba was prevented from driving her car, saying she drove it herself when she travelled to Iperu shortly before her death.
“She drove the car out herself. She was going to Iperu one Sunday. I don’t know Iperu that she went to neither do I know who’s she going to meet there but I think it is her mother side,” he said.
According to him, Osoba had reservations about visiting her maternal family because she believed they had not treated her well. He said he encouraged her to maintain contact with them because they were planning to get married.
Onadeko also said Osoba struggled with smoking and that he had encouraged her to stop.
“She was dealing with smoking habit. And I wanted her to leave it. All the church members know about her smoking habit,” he said.
He also denied allegations that Osoba was maltreated before her death, including claims that faeces or urine was poured on her body as punishment for allegedly stealing biscuits.
“When we were living together, we borrow each other money. She bought gold for herself and me. But she eventually sold them and we both spent the money, there has never been a time that we were under duress.
“We never rented an apartment, the house she was living is her uncle’s house. After the surgery, she gave her uncle N1m when he insisted that he gave her something at least for staying in the house,” he maintained.
The prophet also dismissed the allegation that Osoba drank poison before her death.
He said the actress had left the church about three weeks before her death and that he contacted one of her uncles, identified as Taiwo, after learning of her death.
“She’s left the church about three weeks ago before her death. Since she died, I didn’t call any of her family. It was one of his uncles, Taiwo that I called but he was really mad at me and insisted that he doesn’t want to speak with me,” he said.
Temitope Osoba died on Wednesday at the age of 40.
She is set to be laid to rest on Thursday, August 13, 2026, at Iperu Remo, Ogun State.
However, the claims made by Onadeko had not been independently verified as of the time of filing this report, and the exact circumstances or cause of Osoba’s death had not been established.
Veteran Nigerian actor Kanayo O. Kanayo has explained why he agreed to feature in Ghanaian actor and filmmaker Kwadwo Nkansah LilWin’s upcoming movie, A Journey to Africa (Nzulezu).
The respected Nigerian actor said his decision to join the project was influenced by the opportunity to contribute to a production that brings together talents from Ghana and Nigeria.
The movie is being led by LilWin, who has built a career in Ghana’s film industry as an actor, comedian and producer. The project is expected to feature a blend of Ghanaian and Nigerian actors as part of its wider African storytelling focus.
Kanayo O. Kanayo, who has featured in numerous Nigerian films throughout his long career, is regarded as one of Nollywood’s veteran performers. His involvement in the project adds another established name to the cast and highlights the continued collaboration between Ghana’s Kumawood industry and Nigeria’s Nollywood.
Explaining his decision to accept the role, Kanayo indicated that he was interested in the creative direction of the production and the opportunity it presented to work with colleagues from Ghana.
His participation also reflects the long-standing relationship between Ghanaian and Nigerian filmmakers. Actors from both countries have regularly appeared in productions across the two industries, helping create opportunities for cross-border collaborations.
A Journey to Africa (Nzulezu) takes its inspiration from Nzulezu, the well-known stilt settlement in Ghana’s Western Region. The location is recognised for its distinctive setting on water and has become one of Ghana’s notable cultural and tourism attractions.
The choice of Nzulezu as part of the film’s identity adds a Ghanaian cultural element to the production while providing an opportunity to showcase aspects of the country to audiences beyond its borders.
For LilWin, the project represents another major production as he continues to expand his activities beyond acting and comedy into filmmaking and other aspects of the entertainment industry.
Kanayo’s involvement has also generated interest among movie enthusiasts, particularly because of his status as one of Nollywood’s experienced actors.
The collaboration comes at a time when filmmakers across Africa are increasingly exploring partnerships that bring together performers, producers and creative professionals from different countries.
Such collaborations can give productions access to wider audiences while allowing actors and filmmakers to exchange ideas and experiences from their respective industries.
With Kanayo O. Kanayo joining the cast, attention is now focused on the eventual release of A Journey to Africa (Nzulezu) and how the Ghana-Nigeria collaboration will translate onto the screen.
Nigerian rapper and social media personality, Speed Darlington, has warned comedian and content creator, Carter Efe, ahead of their highly anticipated celebrity boxing bout.
The two entertainers are scheduled to face each other on October 1, 2026, at the Balmoral Convention Centre, Federal Palace Hotel, Victoria Island, Lagos, as part of the ‘Chaos in the Ring’ series.
Speed Darlington has continued to heighten anticipation for the bout with provocative remarks directed at Carter Efe ahead of their meeting in the ring.
The upcoming fight will be Speed Darlington’s second appearance in the celebrity boxing circuit after he lost to singer Portable in 2025.
Carter Efe, on the other hand, enters the contest after defeating Portable by unanimous decision in May 2026.
All three judges scored Carter Efe’s three-round victory 30-27 in his favour.
The rivalry between Carter Efe and Speed Darlington has also intensified during promotional activities for the fight.
At their official press conference, both entertainers were involved in a heated confrontation and had to be separated by security personnel.
The October 1 bout will mark the first time Speed Darlington and Carter Efe meet inside the boxing ring, after their exchanges have largely played out on social media and during promotional events.
The ‘Chaos in the Ring’ event will also feature other bouts, including the WBO African Light Heavyweight Continental Championship clash between Nigeria’s Godday Appah and Ghana’s Seth ‘Freezy Macbones’ Gyimah.
Young and vibrant Ghanaian fashion designer and Chief Executive Officer of Sam Creatives, Samuel Clottey, has described Black Sherif as the new face of Ghanaian music, expressing confidence that the artiste could become the first Ghanaian musician to win a Grammy Award.
According to Mr Clottey, Black Sherif has shown remarkable growth in his music career and continues to demonstrate the creativity, discipline and originality needed to take Ghanaian music to a wider international audience.
He believes the way Black Sherif continues to position himself, particularly through his music and composition, shows an artiste who is determined to push himself and contribute to the next chapter of Ghanaian music.
“Black Sherif is the new face of Ghana Music. I will not be surprised if he emerges as the first Grammy Award winner for Ghana,” Mr Clottey said.
He noted that Black Sherif’s ability to combine his unique sound with meaningful storytelling has helped him establish a strong identity within the Ghanaian music industry.
The comments come at a time when Black Sherif is promoting his latest project, SUN SHERIF, a six track EP released in September 2026.
The project features “Expresso”, “Run Around”, “Forever” featuring AratheJay, “Jolie”, “Frontline” and “Love Again” featuring Trinidadian duo Full Blown.
The release adds another chapter to Black Sherif’s growing catalogue and follows his previous projects, including his 2022 debut album, The Villain I Never Was, and his 2025 album, IRON BOY.
For Mr Clottey, however, Black Sherif’s growing profile is about more than chart positions and awards.
He believes the artiste’s approach to his craft and his ability to develop a distinct musical identity are signs of someone who is eager to take Ghanaian music to another level.
Mr Clottey’s views also come from a fashion and creative industry professional who has worked closely with some of Ghana’s biggest names in entertainment.
Sam Creatives is known for styling some of Ghana’s leading musicians, including Samini, Stonebwoy, Shatta Wale, Medikal and Amerado.
The fashion brand has also worked with prominent personalities across the clergy and business community, including Prophet Isaac Owusu Bempah and some business moguls.
The brand’s growing presence within Ghana’s entertainment and fashion space has given Mr Clottey an opportunity to observe the relationship between music, fashion and personal branding.
He believes artistes who understand the importance of their overall image, while remaining committed to developing their music, have a greater opportunity to build lasting careers.
Mr Clottey said Black Sherif’s journey is an example of what can happen when talent is matched with consistency and a clear artistic identity.
With SUN SHERIF adding to his growing catalogue, Black Sherif continues to attract attention for his music and distinctive artistic direction.
For Samuel Clottey, the bigger expectation is that Black Sherif will continue to grow, refine his craft and ultimately help place Ghanaian music at the centre of the global conversation.
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