Entertainment
Bobrisky Complained of Chest Pain, hospitalised
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Controversial Nigerian crossdresser Idris Okuneye, widely known as Bobrisky, was transported to the Police Hospital in Falomo, Lagos, on Wednesday after reporting discomfort in his chest area, commonly referred to as ‘breasts.’ This incident followed his detention at the Alagbon Police Station in Lagos State.
According to a police insider, Bobrisky was taken to the hospital around 2 p.m. due to his complaints of pain. “Bobrisky claimed his ‘breasts’ were hurting him, which led us to take him to the hospital,” the source explained.
Reports suggest that the ambulance transfer may have been conducted as a precautionary measure, coinciding with a visit from the Commissioner of Police overseeing the Special Fraud Unit (SFU) in Lagos. The source noted that the ambulance was requested with the intention of minimizing public attention, as the CP was planning to transfer Bobrisky to the SFU command.
The source revealed, “They sent for a police ambulance with the number plate LLD339LP to discreetly move him.”
Prior to his hospital transfer, Bobrisky was kept in isolation from other detainees, under the watchful eye of two armed officers. “He was kept separate from the others and guarded by two armed guards until he was taken to the hospital,” the police insider stated.
Upon arriving at the hospital, Bobrisky was escorted by a nurse and a well-armed officer. “A female nurse and a police officer accompanied Bobrisky, who was placed on a stretcher,” the source added.
Earlier in the week, Bobrisky was apprehended by the Nigeria Immigration Service (NIS) and subsequently detained at the Nigeria Police Force’s Criminal Investigation Department (FCID) in Alagbon. The circumstances surrounding his arrest and hospitalization continue to draw public attention, given his popularity and controversial persona.
Entertainment
Sad! American Jazz Singer Cassandra Wilson Dies At 70
Grammy Award-winning American jazz singer Cassandra Wilson died on Wednesday in her hometown of Jackson, Mississippi, her manager said. She was 70.
“Cassandra Wilson transitioned peacefully at home, surrounded by family, close friends, and her manager,” Robert Torre wrote in a statement, hailing her as a “legendary jazz artist.”
The statement did not disclose a cause of death. Wilson’s family and close friends asked for privacy, Torre said.
A singer-songwriter and producer, Wilson was celebrated for her rich, expressive contralto voice in a career spanning three decades.
In 1997, the singer received the Grammy for Best Jazz Vocal Performance with “New Moon Daughter,” and “Loverly” won the award for Best Jazz Vocal Album in 2009.
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Wilson performed in a leading role in “Blood on the Fields,” a 1997 oratorio by Wynton Marsalis which became the first jazz work to win a Pulitzer Prize.
She also collaborated with saxophonists Steve Coleman, Greg Osby and hip-hop group The Roots.
“I learned so much from her, and I am so sad she has passed away,” musician Jon Batiste wrote in a tribute on social media.
“She had an unmistakable vocal tone, phrasing, and her approach of weaving folkloric, R&B, and diasporic music together with experimental and popular genres had a major impact on me.
“She sounded like the South.”
AFP
Entertainment
Angry Davido Blasts Erigga Over Family Wealth Debate
Afrobeats superstar David Adeleke, popularly known as Davido, has taken a Nigerian rapper Erhiga Agarivbie, better known as Erigga, to the dustbin following a disagreement over whether musicians from wealthy backgrounds deserve recognition for their success.
The exchange began after Erigga took to X to celebrate artistes who did not come from privileged families and had to build their careers without financial support from their parents.
The rapper wrote: “Shoutout to all the musicians who don’t come from family money and had to grind for every single dollar they earn.”
His post quickly attracted Davido’s attention, with the Afrobeats star challenging the idea that musicians from wealthy families should receive less recognition simply because they had financial support while growing up.
Davido argued that having wealthy parents does not automatically eliminate the hard work, talent and determination required to establish a successful career in the highly competitive entertainment industry.
The singer, who himself comes from a wealthy Nigerian family, appeared to take the post personally and responded with a strongly worded message.
He wrote: “No be we say make your pops no guard o. Shoutout to the ones that came from family money and still grind to the top. Comot here with that your useless motivation … imbecile.
“No worry o, I go soon leave their music for una. GO MAKE MY BILLIONS … then that shit gonna be boring AF. Deep down who like poverty? Nonsense.”
Davido’s response reflects a long-running debate within the entertainment industry about privilege, parental wealth and the extent to which an artiste’s background contributes to their success.
While some believe musicians who emerge from humble backgrounds deserve special recognition for overcoming financial challenges, others argue that coming from a wealthy family should not invalidate an artiste’s achievements.
Davido has frequently spoken about his privileged upbringing while also maintaining that he has worked to establish his own identity and career in the global music industry.
The singer’s latest reaction has consequently reignited discussions about the role of family wealth in the Nigerian entertainment industry, with fans and social media users expected to take sides over the exchange.
Social Media Debate Intensifies
The disagreement between the two artistes has generated attention because of the contrasting perspectives expressed by both musicians.
Erigga’s original message appeared to celebrate artistes who had to struggle financially before achieving success, bb while Davido interpreted it as an unnecessary attempt to diminish musicians who had the advantage of coming from wealthy families.
At the centre of the argument is whether an artiste’s background should influence how their achievements are judged.
The exchange has also revived broader conversations about privilege in Nigeria, where access to family resources, education, connections and financial support can significantly influence opportunities available to young people.
Despite their disagreement, neither artiste indicated that the exchange would develop into a broader personal conflict. However, Davido’s strongly worded response has already generated considerable discussion among music fans and social media users.
Entertainment
Headies dismiss claims of sidelining gospel artistes
Organisers of The Headies have refuted allegations that gospel and inspirational musicians are excluded from the award’s major categories.
In a statement released on Monday via its official Instagram page, the organisers said the claim does not reflect the award’s history.
They cited previous winners such as Lara George, Kefee, Nikki Laoye and Timi Dakolo as gospel artistes who have won mainstream honours at The Headies.
The statement also noted that the Inspirational Single category was created to recognise songs that promote faith, hope and positive values.
The clarification followed an open letter from Afrogospel artiste Gaise Baba, who raised concerns about the treatment of gospel music at the awards.
Gaise Baba argued that songs should be judged on quality, sound and impact, rather than the message in the lyrics.
“A rap record is a rap record,” he wrote in part.
The singer further questioned whether commercially successful gospel songs like ‘Favour’ and his collaboration with Lawrence Oyor, ‘No Turning Back II’, receive the same consideration as mainstream Nigerian songs.
Gaise Baba also recalled his experience as a nominee, stating that the Inspirational Music category was not presented during the main ceremony at one edition.
He said nominees commit time and resources to the process and deserve proper recognition.
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