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Sophia Files 102-Paragraph Affidavit To Tackle Singer, Davido Over Joint Custody of Daughter

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Sophia Momodu has filed her defence in a lawsuit insisted by a Nigerian musician, Davido, whose real name is David Adeleke over custody of their daughter, Aurora Imade Adeleke.

Naijablitznews had earlier reported that the case was initiated by Davido who wanted the joint custody of Imade.

The legal action, filed on April 17, 2024, and bearing the suit number LD/1587PMC/2024, names Davido as the applicant and Sophia Momodu as the respondent, marking the beginning of a legal battle over the child’s custody.

Davido, through his legal action, is seeking a court order granting him joint custody of his daughter, Imade, and unrestricted access to her.

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While acknowledging that his relationship with Sophia Momodu, Imade’s mother, ended several years ago, Davido emphasised that he had consistently fulfilled his financial responsibilities towards their child’s well-being, demonstrating his commitment to Imade’s care and support.

By seeking joint custody and unfettered access, Davido aimed to ensure a continued active role in his daughter’s life.

 

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Davido also alleged that Momodu demanded he pay the nanny she hired a monthly salary of $800, equivalent to $19,600 annually, which he deemed excessive.

Despite his efforts to provide for their daughter’s well-being, Davido claimed that Momodu has consistently treated him with cruelty and caused him significant emotional pain.

In light of these circumstances, Davido is seeking a court order granting him joint custody of their daughter, Imade Adeleke, to ensure a more collaborative and harmonious approach to her care and upbringing.

It was learnt further that Sophia Momodu, in her response to the singer’s case, filed a 102 paragraphs of counter affidavit via her legal team Dr Anthony Idigbe SAN of Punuka Attorneys and Dr Bimpe Ajegbomogun.

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The next hearing is slated for Friday, 5th of July, 2024

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Entertainment

Veteran Nollywood Actor Is Dead

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Veteran Nollywood actor, dramatist, filmmaker, and scholar, Dr Kola Oyewo, has died at the age of 80.

Announcing his passing on Instagram on Friday, actor Kunle Afod wrote: “Kola Oyewo has taken his final bow.

“His remarkable talent, timeless performances, and immense contributions to the Nigerian theatre and film industry will never be forgotten.

His legacy will continue to inspire generations to come. “Rest well, sir. Your work lives on. “🕊️ It’s a wrap.”

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The veteran actor, born on March 27, 1946, in Oba-Ile, Osun State, Oyewo began his acting career in 1964 with the Oyin Adejobi Theatre Group.

He later became one of the most recognised figures in Yoruba theatre and Nigerian film.

He was widely known for his portrayal of Odewale in Ola Rotimi’s play, “The Gods Are Not to Blame,” a role that earned him recognition across the African theatre scene.

During a career that spanned more than six decades, Oyewo featured in several productions, including “Saworoide,” “Sango,” “Koseegbe,” “Super Story” and many Yoruba-language films that contributed to the growth of Nigeria’s movie industry.

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Beyond acting, Oyewo was also an academic.

He earned a doctorate in Drama from the University of Ibadan and taught at Obafemi Awolowo University, Redeemer’s University and Elizade University.

Through his teaching and mentorship, he helped train and guide generations of actors, playwrights and scholars, leaving a lasting impact on Nigeria’s theatre, film and academic communities.

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“Do Not Ever Use My Music” – Ariana Grande Slams The White House For Using Her Song

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Ariana Grande has put the White House on blast for using her song “Bye” in a social media post promoting US immigration arrests, describing the video as “barbaric”.

The White House released the TikTok video on Tuesday, featuring US Immigration and Customs Enforcement agents arresting and handcuffing people.

The video used Grande’s song “Bye” as background audio and was captioned: “Bye-bye. President Trump has delivered the most secure border in history.”

On Thursday, Grande responded in the post’s comment section. “Please do not ever use my music in relation to this barbaric, inhumane, heinous nonsense. F*** ICE,” she wrote, according to Variety.

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As of Friday morning, her comment was no longer visible on the post.

A source close to Grande confirmed to Reuters that her team was exploring how to remove the song from the video.

White House spokesperson Abigail Jackson said in a statement: “We’ll say this one last time: what’s actually barbaric, inhumane, and heinous are the criminal illegal aliens who have injured and murdered innocent American citizens.”

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Popular Singer, Davido draws world attention to kidnapped Oyo schoolchildren at World Cup Concert

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Popular Nigerian singer, David Adeleke, popularly known as Davido, has drawn attention to the abduction of school children and teachers in Oriire Local Government Area of Oyo State during his performance at the FIFA World Cup Countdown Concert in Los Angeles on Wednesday night.

The ‘OBO’ crooner donned a custom-made jacket with the names of the 39 abducted children and their seven teachers pinned on it. On the back of the jacket, Davido also boldly wrote; “Bring Them Home.”

Davido performed his hit song ‘Fall’ and kept flaunting his jacket throughout the performance to draw attention to the abducted school children and teachers in captivity.

This is not the first time the singer has called for the release of the abductees. He has previously called on the relevant authorities to ensure the victims are rescued without further delays in a social media post.

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He stated that the current insecurity must not be allowed to continue.

Meanwhile, Grammy-winning Nigerian singer Burna Boy is billed to perform at the FIFA World Cup Opening Ceremony in Mexico City alongside Shakira.

Burna Boy was featured in the official 2026 World Cup song ‘Dia Dia’ with Shakira. The duo are expected to perform the song at the opening ceremony.

Another Nigerian singer, Rema, will also perform at the US opening ceremony in Los Angeles along with Lisa and other international pop stars.

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