Entertainment
I’m in my Phoenix era – Tiwa Savage declares
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Renowned Nigerian singer and songwriter, Tiwa Savage has declared that she is in her Phoenix era.
The phoenix is a mythical bird that is said to be reborn from its ashes, symbolizing immortality, renewal, and life after death. The phoenix is often depicted as a beautiful bird with brightly colored feathers and a long tail. In Greek and Egyptian mythology, the phoenix is associated with the sun god.
Tiwa made the revelation in a candid interview on Beat FM, while giving insights into her personal life and career.
“I’m in my Phoenix era. I have a phoenix tattoo on my neck. I have gone through the fire, and it is like a reinvention. I am coming out stronger in terms of love, heartbreak, and where I am in life. I’m now at a stage where I accept certain things, set boundaries, and be happy with my achievements.
“This is the rebirth of Tiwa Savage,” she declared.
The ‘Forgiveness’ crooner, also spoke about her most daring act for love.
Reflecting on the craziest thing she has done for love, she stated “If I’m into someone, I’m really into the person. I have pulled up at your house unannounced. I may not be as savage as people think.
“I’m a beast when it comes to my work. I will call you 20 times if something needs to get done. And I will find a way to make it happen. That is where the savagery kicks in.
Entertainment
Sad! American Jazz Singer Cassandra Wilson Dies At 70
Grammy Award-winning American jazz singer Cassandra Wilson died on Wednesday in her hometown of Jackson, Mississippi, her manager said. She was 70.
“Cassandra Wilson transitioned peacefully at home, surrounded by family, close friends, and her manager,” Robert Torre wrote in a statement, hailing her as a “legendary jazz artist.”
The statement did not disclose a cause of death. Wilson’s family and close friends asked for privacy, Torre said.
A singer-songwriter and producer, Wilson was celebrated for her rich, expressive contralto voice in a career spanning three decades.
In 1997, the singer received the Grammy for Best Jazz Vocal Performance with “New Moon Daughter,” and “Loverly” won the award for Best Jazz Vocal Album in 2009.
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Wilson performed in a leading role in “Blood on the Fields,” a 1997 oratorio by Wynton Marsalis which became the first jazz work to win a Pulitzer Prize.
She also collaborated with saxophonists Steve Coleman, Greg Osby and hip-hop group The Roots.
“I learned so much from her, and I am so sad she has passed away,” musician Jon Batiste wrote in a tribute on social media.
“She had an unmistakable vocal tone, phrasing, and her approach of weaving folkloric, R&B, and diasporic music together with experimental and popular genres had a major impact on me.
“She sounded like the South.”
AFP
Entertainment
Angry Davido Blasts Erigga Over Family Wealth Debate
Afrobeats superstar David Adeleke, popularly known as Davido, has taken a Nigerian rapper Erhiga Agarivbie, better known as Erigga, to the dustbin following a disagreement over whether musicians from wealthy backgrounds deserve recognition for their success.
The exchange began after Erigga took to X to celebrate artistes who did not come from privileged families and had to build their careers without financial support from their parents.
The rapper wrote: “Shoutout to all the musicians who don’t come from family money and had to grind for every single dollar they earn.”
His post quickly attracted Davido’s attention, with the Afrobeats star challenging the idea that musicians from wealthy families should receive less recognition simply because they had financial support while growing up.
Davido argued that having wealthy parents does not automatically eliminate the hard work, talent and determination required to establish a successful career in the highly competitive entertainment industry.
The singer, who himself comes from a wealthy Nigerian family, appeared to take the post personally and responded with a strongly worded message.
He wrote: “No be we say make your pops no guard o. Shoutout to the ones that came from family money and still grind to the top. Comot here with that your useless motivation … imbecile.
“No worry o, I go soon leave their music for una. GO MAKE MY BILLIONS … then that shit gonna be boring AF. Deep down who like poverty? Nonsense.”
Davido’s response reflects a long-running debate within the entertainment industry about privilege, parental wealth and the extent to which an artiste’s background contributes to their success.
While some believe musicians who emerge from humble backgrounds deserve special recognition for overcoming financial challenges, others argue that coming from a wealthy family should not invalidate an artiste’s achievements.
Davido has frequently spoken about his privileged upbringing while also maintaining that he has worked to establish his own identity and career in the global music industry.
The singer’s latest reaction has consequently reignited discussions about the role of family wealth in the Nigerian entertainment industry, with fans and social media users expected to take sides over the exchange.
Social Media Debate Intensifies
The disagreement between the two artistes has generated attention because of the contrasting perspectives expressed by both musicians.
Erigga’s original message appeared to celebrate artistes who had to struggle financially before achieving success, bb while Davido interpreted it as an unnecessary attempt to diminish musicians who had the advantage of coming from wealthy families.
At the centre of the argument is whether an artiste’s background should influence how their achievements are judged.
The exchange has also revived broader conversations about privilege in Nigeria, where access to family resources, education, connections and financial support can significantly influence opportunities available to young people.
Despite their disagreement, neither artiste indicated that the exchange would develop into a broader personal conflict. However, Davido’s strongly worded response has already generated considerable discussion among music fans and social media users.
Entertainment
Headies dismiss claims of sidelining gospel artistes
Organisers of The Headies have refuted allegations that gospel and inspirational musicians are excluded from the award’s major categories.
In a statement released on Monday via its official Instagram page, the organisers said the claim does not reflect the award’s history.
They cited previous winners such as Lara George, Kefee, Nikki Laoye and Timi Dakolo as gospel artistes who have won mainstream honours at The Headies.
The statement also noted that the Inspirational Single category was created to recognise songs that promote faith, hope and positive values.
The clarification followed an open letter from Afrogospel artiste Gaise Baba, who raised concerns about the treatment of gospel music at the awards.
Gaise Baba argued that songs should be judged on quality, sound and impact, rather than the message in the lyrics.
“A rap record is a rap record,” he wrote in part.
The singer further questioned whether commercially successful gospel songs like ‘Favour’ and his collaboration with Lawrence Oyor, ‘No Turning Back II’, receive the same consideration as mainstream Nigerian songs.
Gaise Baba also recalled his experience as a nominee, stating that the Inspirational Music category was not presented during the main ceremony at one edition.
He said nominees commit time and resources to the process and deserve proper recognition.
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