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Peller: Queen Ewuare replies Edo palace chiefs

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The controversy surrounding the visit of social media influencer, Habeeb Adelaja, popularly known as Peller, to the Benin Royal Palace has taken a dramatic turn, as Queen Ewuare of the Benin Kingdom publicly challenged claims that the visit was unauthorised.

The queen’s response follows her suspension by the Benin Traditional Council, alongside some chiefs and a palace staff member, over what the council described as a “desecration of the sacred precincts of the palace.”

TikTok Content Creator, Hamzat Habeeb, popularly known as Peller…Photo Credit: Ripples Nigeria
He was reportedly received by certain palace officials during the visit, which later sparked outrage within traditional circles.

In a statement issued on Tuesday and signed by the Secretary of the Benin Traditional Council, Frank Irabor, the council condemned the visit as a “breach of protocol,” ordering Peller to appear before a committee of chiefs to explain his actions and tender an unreserved written apology.

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The council further alleged that Peller and his entourage gained access to the palace without the requisite approval, adding that their conduct caused “significant embarrassment” and disrupted the peace within the palace grounds.

It also disclosed that the queen involved in the incident was facing “serious disciplinary proceedings,” which could ultimately result in her removal from the palace.

Queen pushes back

However, in a swift public rebuttal, Queen Ewuare took to her TikTok account (@queen_ewuare-_backup) on Thursday to contest the council’s claims, insisting that the narrative being circulated was misleading.

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A review indicates that the queen made her first video post on the TikTok account on March 26, 2022.

An examination of the page, which now boasts over two million followers, further shows that she consistently shares photos and video content featuring herself and the Oba of Benin during personal engagements and official royal ceremonies.

Sharing what she described as documentary evidence, the queen posted a copy of a letter bearing an acknowledgement stamp from the Benin Traditional Council, which she said proved that Peller’s visit had been formally communicated to the palace ahead of time.

The queen explained that the controversy surrounding Peller’s presence at the palace was influenced by misleading claims from the BTC.

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“Hello everyone, the issues at hand aren’t just because Peller came to the palace or because I gifted him; a lot has been happening behind closed doors.

“The Benin Traditional Council lied that Peller’s visit was unauthorised and that I brought him to the palace. I hope I will be able to convince you all that Peller’s visit was authorised.

“Look at the stamp on this letter; it shows it was received by the Benin Traditional Council, but they’re all lying against me. But this isn’t even the main problem; there are other issues far bigger than what you all think,” she wrote.

The queen also expressed appreciation to supporters who had reached out to check on her following the development.

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The disputed letter

The document shared by the queen, observed by Saturday PUNCH, carries a stamp and signature indicating it was received by the council on February 23, 2026.

Titled ‘Courtesy Visit’ and addressed to Oba Ewuare II, the letter was signed by Uyiekpen Ogiefa. It formally notified the palace of Peller’s planned visit to Benin and requested a brief audience with the monarch.

“With utmost respect and humility, we write to formally inform the palace of the planned visit of a very prominent online streamer, Peller, to Benin, and to the revered palace of the Oba of Benin on March 3, 2026,” the letter partly read.

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It further stated that Ogiefa, son of Chief Courage Uyi Ogiefa, would accompany the influencer during the visit.

However, while the queen maintains that the acknowledgement validates the visit, critics argue that receipt of a letter does not equate to formal approval.

The development has since triggered mixed reactions across social media platforms, with supporters and critics offering sharply different interpretations.

Some users rallied behind the queen, expressing confidence in her position.

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“You will overcome, my great Queen. You are a beacon of light and a worthy representation of Edo women,” a TikTok user, Riemen, wrote.

Others, however, questioned the legitimacy of the claimed authorisation.

“A letter being acknowledged does not mean approval has been granted. There must be a formal response confirming the visit,” a Facebook user, Osasuyi James, argued, urging the release of any official reply from the palace.

Another user, Liberty Okoromi, emphasised the sanctity of the palace, noting that access must strictly adhere to established customs.

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“The palace is not a marketplace. It is a sacred place of tradition. We must respect our heritage,” he said, while calling for leniency towards the influencer.

Peller’s team responds

Amid the growing controversy, Peller’s management issued a statement on Instagram, insisting that due process was followed and that the visit was not intended to disrespect Benin culture.

According to the statement, a formal request was submitted on February 23 for a courtesy visit initially scheduled for March 3 but later shifted to March 6.

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The team acknowledged that they were informed in advance that the Oba would not be available, but were nonetheless permitted to visit and were received by palace representatives.

“They were welcomed, guided through the palace, and educated on its history and traditions,” the statement read.

It added that any actions perceived as inappropriate were unintentional, attributing them to excitement and the warmth of the reception.

“Peller is deeply passionate about promoting Nigerian culture and would never intentionally disrespect the heritage he seeks to showcase,” the statement added, while also apologising for any misconceptions arising from the visit.

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Despite these, the Benin Traditional Council has maintained its hardline stance, reiterating that the palace is not a venue for casual visits or content creation.

“The palace is not a public thoroughfare or a location for frivolous content creation. It is the ancient and spiritual seat of the Oba of Benin, governed by centuries of tradition, custom, and sacred protocols,” the council stated.

In a further twist, the council disclosed that a palace staff member, identified as Mr Omuemu, had been detained by the Nigeria Police Force and charged in court for allegedly aiding the unauthorised entry and causing a breach of the peace.

It added that law enforcement agencies had been placed on alert and could take further action against those involved.

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Baba Fryo Reflects On ‘Denge Pose’, Galala Culture, And Life & Stardom

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Before streaming platforms reshaped global music, before international record deals became a benchmark for success, and before Afrobeats stars began selling out venues like the O2 Arena, there was Ajegunle in Lagos—a dense, vibrant neighbourhood where street culture produced some of Nigeria’s most influential musical voices.

Among those voices was Baba Fryo, born Friday Igwe, a musician who didn’t just entertain but chronicled everyday street life through rhythm and lyrics. His 1996 hit “Denge Pose” became a defining anthem of its era, introducing a dance style and cultural expression that spread far beyond Ajegunle.

But behind the success story lies a more complicated reality. While the streets danced to his music, the music industry struggled to protect him. Piracy eroded his earnings, and the commercial rewards of fame fell far short of expectations.

More than two decades later, Baba Fryo reflects on his journey—the rise, the setbacks, and his continued resilience—in a conversation with TheCable Lifestyle’s Testimony Adebisi.

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Explaining the origin of his stage name, Baba Fryo traces it back to everyday life in Ajegunle.

“In Ajegunle in those days, anyone who bears Friday, you’d call him Fryo. You abbreviate the name,” he said, describing how community slang shaped his identity.

Baba Fryo also revisited the era when Galala music and dance dominated the streets, clarifying common misconceptions about its origins and evolution.

According to him, Galala is primarily a dance style, not a genre of music in itself. He credited dancer and performer Daddy Showkey with popularising the movement.

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“Galala is a dance. That dance was created by Daddy Showkey,” he explained. “When Father U-Turn released his songs, he said his songs were Galala, but Galala is a dance.”

He added that several street dance styles existed at the time, including “Tear Am,” “Swo,” and “Konto,” all of which influenced performances and music expression in the community.

Baba Fryo noted that his own sound evolved differently from his peers, blending influences rather than strictly aligning with one style.

“For my own style of music, I would say I just chose to create different kinds of music,” he said. “Mine is an Afro Reggae beat because my song has been mixed with Reggae music and Afro music.”

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Reflecting on the broader music scene in Ajegunle during his rise, Baba Fryo highlighted the trio that helped define the era: himself, Daddy Fresh, and Daddy Showkey. Each artist, he said, developed a distinct identity while contributing to a shared cultural movement that helped bring street music into national consciousness.

Though the sounds differed—ranging from reggae-infused rhythms to highlife-inspired influences—the impact was collective: a new wave of Nigerian street music that shaped the foundation for later generations.

While “Denge Pose” remains a cultural landmark, Baba Fryo’s story also reflects the challenges faced by many early Nigerian music pioneers, particularly issues of piracy and lack of industry structure at the time.

Yet despite financial setbacks and shifting industry dynamics, his influence endures in Nigeria’s evolving music landscape, where street-inspired sounds have become a global export.

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Over twenty years after his breakout moment, Baba Fryo’s story is not just one of fame, but of endurance—an artist still standing, still reflecting, and still part of the cultural conversation.

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Cubana Chief Priest’s Alleged Babymama, Hellen Ati Uses Her ‘Yansh’ To Curse Him

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The paternity dispute involving Nigerian socialite Cubana Chief Priest and his alleged Kenyan baby mama, Hellen Ati, has taken a dramatic turn after she appeared in an emotionally charged livestream, hurling curses at the businessman and his supporters.

Visibly distressed, Ati used the broadcast to vent her frustration over what she described as the burden of single-handedly raising their alleged child, vowing that the socialite would face consequences for his alleged neglect.

In a fiery and explicit tirade, she accused Cubana Chief Priest of pursuing her romantically while concealing his marital status, only to distance himself from her once she became pregnant. She lamented being subjected to public mockery and criticism online, with many questioning the legitimacy of her claims and the timing of her pregnancy.

Ati further alleged that the socialite’s wealth and public image had emboldened him to mistreat her, drawing a broader connection between such treatment of women and the pressures that drive some to pursue risky cosmetic procedures out of shame.

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She issued a stark warning, declaring that anyone who attempted to shame or humiliate her further would face the consequences of her wrath, threatening to direct her anger at his extended family if provoked.

Visibly emotional throughout the video, Ati admitted to struggling with her mental health amid the saga, citing a previous history of psychological distress, and insisted she had reached a breaking point after persistent attempts to seek acknowledgment and support for the child.

She maintained her resolve to continue speaking out despite public backlash, urging the socialite to take responsibility for the child’s welfare and declaring that she would no longer remain silent or beg for recognition.

The development has since stirred fresh reactions on social media, with the controversy reigniting public debate over accountability, responsibility, and the treatment of women in high-profile relationship disputes.

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Watch video below..

https://x.com/RealCeecee/status/2068063985383960705?ref_src=twsrc%5Etfw

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Popular media influencer Peller completes bride price rites for Jarvis ahead of marriage

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Popular Nigerian streamer, Peller has officially completed the traditional marriage rites of his fiancé, Jarvis, after travelling to her hometown in Benin City to officially pay her bride price.

He made this known via his social media handle on Sunday.

He wrote “Today, I proudly paid the bride price of the woman I love.

“A beautiful journey has officially begun, and I’m grateful to both families for their blessings.

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“She said “yes” to forever, and now it’s time to build our future together. Officially off the market.”

This comes just weeks after the streamer proposed to his lover, Jarvis on the 3rd of June in Ghana.

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