Foreign
David Lynch, legendary filmmaker, dies at 78
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David Lynch, the filmmaker celebrated for his uniquely dark and dreamlike vision in such movies as “Blue Velvet” and “Mulholland Drive” and the TV series “Twin Peaks,” has died just days before his 79th birthday.
His family announced the death in a Facebook post on Thursday.
“There’s a big hole in the world now that he’s no longer with us. But, as he would say, ‘Keep your eye on the donut and not on the hole,’” the family’s post read. “It’s a beautiful day with golden sunshine and blue skies all the way.”
The cause of death and location was not immediately available. Last summer, Lynch had revealed to Sight and Sound that he was diagnosed with emphysema and would not be leaving his home because of fears of contracting the coronavirus or “even a cold.”
“I’ve gotten emphysema from smoking for so long and so I’m homebound whether I like it or not,” Lynch said, adding he didn’t expect to make another film.
“I would try to do it remotely, if it comes to it,” Lynch said. “I wouldn’t like that so much.”
Lynch was a onetime painter who broke through in the 1970s with the surreal “Eraserhead” and rarely failed to startle and inspire audiences, peers and critics in the following decades. His notable releases ranged from the neo-noir “Mulholland Drive” to the skewed gothic of “Blue Velvet” to the eclectic and eccentric “Twin Peaks,” which won three Golden Globes, two Emmys and even a Grammy for its theme music. Pauline Kael, the film critic, called Lynch “the first populist surrealist — a Frank Capra of dream logic.”
“‘Blue Velvet,’ ‘Mulholland Drive’ and ‘Elephant Man’ defined him as a singular, visionary dreamer who directed films that felt handmade,” director Steven Spielberg said in a statement. Spielberg noted that he had cast Lynch as director John Ford, one of his early influences, in his 2022 film “The Fabelmans.”
“It was surreal and seemed like a scene out of one of David’s own movies,” Spielberg said. “The world is going to miss such an original and unique voice.”
“Lynchian” became a style of its own, yet one that ultimately belonged only to him. Lynch’s films pulled disturbing surrealistic mysteries and unsettling noir nightmares out of ordinary life. In the opening scenes of “Blue Velvet,” among suburban homes and picket fences, an investigator finds a severed ear lying in a manicured lawn.
Steven Soderbergh, who told The Associated Press on Thursday that he was a proud owner of two end tables crafted by Lynch (his numerous hobbies included furniture design), called “Elephant Man” a perfect film.
“He’s one of those filmmakers who was influential but impossible to imitate. People would try but he had one kind of algorithm that worked for him and you attempted to recreate it at your peril,” Soderbergh told the AP. “As non-linear and illogical as they often seemed, they were clearly highly organized in his mind.”
Lynch never won a competitive Academy Award. He received nominations for directing “The Elephant Man,” “Blue Velvet” and “Mulholland Drive” and, in 2019, was presented an honorary Oscar for lifetime achievement.
“To the Academy and everyone who helped me along the way, thanks,” he said at the time, in characteristically off-beat remarks. “You have a very nice face. Good night.”
His other credits included the crime story “Wild at Heart,” winner of the Palme d’Or at the Cannes Film Festival; the biographical drama “The Elephant Man” and the G-rated, aptly straightforward “The Straight Story.” Actors regularly appearing in his movies included Kyle McLachlan, Laura Dern, Naomi Watts and Richard Farnsworth.
Lynch was a Missoula, Montana, native who moved around often with his family as a child and would long feel most at home away from the classroom, free to explore his fascination with the world. Lynch’s mother was a English teacher and his father a research scientist with the U.S. Agriculture Department. He was raised in the Pacific Northwest before the family settled in Virginia. Lynch’s childhood was by all accounts free of trauma. He praised his parents as “loving” and “fair” in his memoir, though he also recalled formative memories that shaped his sensibility.
One day near his family’s Pacific Northwest home, Lynch recalled seeing a beautiful, naked woman emerge from the woods bloodied and weeping.
“I saw a lot of strange things happen in the woods,” Lynch told Rolling Stone. “And it just seemed to me that people only told you 10% of what they knew and it was up to you to discover the other 90%.”
He had an early gift for visual arts and a passion for travel and discovery. He dropped out of several colleges before enrolling in the Pennsylvania Academy of the Fine Arts, beginning of a decade-long apprenticeship as a maker of short movies. He was working as a printmaker in 1966 when he made his first film, a four-minute short named “Six Men Getting Sick (Six Times).” That and other worked landed Lynch a place at the then-nascent American Film Institute.
There he began working on what would become his 1977 feature debut, “Eraserhead.”
“David’s always had a cheerful disposition and sunny personality, but he’s always been attracted to dark things,” a childhood friend is quoted as saying in “Room to Dream,” a 2018 book by Lynch and Kristine McKenna. That’s one of the mysteries of David.”
Aside from furniture making and painting, Lynch was a coffee maker, composer, sculptor and cartoonist. He exuded a Zen peacefulness that he attributed to Transcendental Meditation, which his David Lynch Foundation promoted. In the 2017 short film “What Did Jack Do?” he played a detective interrogating a monkey.
Lynch was himself a singular presence, almost as beguiling and deadpan as his own films. For years, he posted videos of daily weather reports from Southern California. When asked for analysis of his films, Lynch typically demurred.
“I like things that leave some room to dream,” he told the New York Times in 1995. “A lot of mysteries are sewn up at the end, and that kills the dream.”
More flights are expected to be delayed in the United Kingdom (UK) after a technical problem with the country’s air traffic control system led to more than 2,000 cancellations.
A total of 291 flights were cancelled on Wednesday after 1,750 were cancelled on Tuesday, according to aviation analytics firm Cirium. Tens of thousands of passengers have been affected by the disruption.
National Air Traffic Services (NATS), the UK’s air traffic control provider, blamed the disruption on a technical glitch. Its chief executive, Martin Rolfe, apologised and said a full investigation would be carried out.
He admitted that resolving the problem had taken “longer than hoped”.
Foreign Secretary Ed Miliband described the outage as “unacceptable”, while Transport Secretary Heidi Alexander summoned Rolfe to explain what happened.
The disruption affected several major UK airports, including Heathrow, Gatwick, Manchester and Birmingham. Airports in Ireland also reported disruption.
At Heathrow, departures were initially paused on Tuesday before operations resumed and then faced further disruption later in the day.
Heathrow said its operations were recovering on Wednesday but warned passengers of further delays because aircraft and crew needed to be repositioned.
Gatwick also said flights had resumed but warned that it would take time for operations to return fully to normal.
Passengers have been advised to check directly with their airlines before travelling to airports. Heathrow said passengers should only travel if they have a confirmed flight.
The technical fault affected NATS’ flight data processing system. Rolfe said it was not the same system that failed during a major disruption in 2023.
However, the latest incident is the third technical problem experienced by NATS in three years. A computer shutdown in 2023 caused widespread disruption affecting around 700,000 passengers, while another outage in 2025 resulted in about 150 cancellations.
Airlines including Ryanair and Wizz Air have called for changes to NATS. Wizz Air UK managing director Yvonne Moynihan said the company needed to consider whether NATS was “fit for purpose”.
Despite the disruption, Rolfe defended the UK’s air traffic control system, saying it remained one of the best in the world.
However, former NATS air traffic control manager Doug Maclean said repeated failures were undermining the system’s reputation.
Even though the technical issue has been resolved, passengers are expected to face further disruption because of the backlog of flights, aircraft and crew.
NATS said it was working to restore normal operations as quickly as possible.
(BBC News)
The Duke and Duchess of Sussex will not be working royals allowed to carry out official engagements now they have returned to the UK, a letter sent on behalf of King Charles spells out.
The letter is intended to clarify the status of Prince Harry and Meghan, who moved back from California with children Archie and Lilibet last month.
They will still not be able to use titles of “His and Her Royal Highness”, and remain “private citizens”, says the letter sent on behalf of the King by the Lord Chamberlain, a top Palace official.
It comes as Prince Harry appears to have been pictured for the first time since his return, with a photo on social media showing him at a London TV and podcast studio.
The King’s letter has been sent to Prince Harry’s team, government departments, military officials and Lord Lieutenants, according to Palace sources.
Lord Lieutenants, who are the monarch’s local representatives, and government staff are often involved in royal visits and engagements.
This letter makes clear that any engagements carried out by the Sussexes will be in a private capacity and they will not be representing the Royal Family.
It seems to be something of a shot across the bows, making clear that any Prince Harry and Meghan visits should not be treated as royal engagements.
This comes ahead of what are likely to be public appearances by the Sussexes this autumn, as they settle in the UK and support their charities.
The couple have kept a low profile, but the first picture of Prince Harry since coming back to the UK appears to have been posted on the social media account of Tower Bridge Studios in London.
The message from the King emphasises that the position agreed in 2020 when the Sussexes left the UK – the so-called Sandringham Agreement – is still in place.
This ruled out any “half-in and half-out” status, so Harry and Meghan could not pursue their own commercial interests while continuing to be working royals.
“It is well known that in January 2020 the Duke and Duchess stepped down from undertaking representative duties on behalf of the Sovereign, and are no longer working members of the Royal Family,” the letter says.
The letter sent on behalf of the King makes it clear that this remains the case.
“The charitable work of the Duke and Duchess is a personal matter for them both and undertaken in their private capacity,” it adds.
The King’s message says that any questions from organisations about the reception to be given to the Sussexes, “particularly where recourse to public funds may be required, should be directed to Buckingham Palace”.
Prince Harry and Meghan faced an acrimonious departure from the UK in 2020, which they chronicled in their Netflix documentary.
They established their financial independence in California, including Prince Harry writing a best-selling memoir Spare and Meghan creating an online food range, As Ever.
This summer the couple made a surprise return to the UK, where their children will be going to school.
It’s expected that Prince Harry will be supporting his charities, including the Invictus Games, which are due to be held in Birmingham next year.
There have been reports that Meghan is considering a return to acting.
Disputes about Prince Harry and Meghan’s security in the UK remain unresolved and the letter spells out: “Any operational security issues should continue to be directed to the relevant police authorities.”
Prince Harry has complained about a lack of adequate police protection in the UK, but the Palace says that has to be addressed by the Royal and VIP Executive Committee – known as Ravec – which decides security for royals and public figures.
Palace sources have suggested it was better to make the Lord Chamberlain’s letter public, in a spirit of transparency, rather than risk it emerging in leaks.
Prince Harry and Meghan’s representatives have been contacted for a response.
Foreign
Iraqi court affirms woman’s right to Change and register her religion from Muslim to Christian
Iraq’s top appellate court has concurred with a ruling allowing a woman to change her religious status to Christian in the government database.
Alliance Defending Freedom International, which supported the woman’s legal journey, identified her only as Maryam, explaining that she was automatically registered as a Muslim after her mother married a Muslim while Maryam was a minor.
Prior to the remarriage, Maryam had been raised in a Christian household, ADF International stated. An Iraqi ordinance stipulates that “minor children shall follow the religion of the parent who has converted to Islam.”
After becoming an adult, Maryam sought to change her status to Christian. A lower court granted the request in May, ADF International noted, and Iraq’s Court of Cassation concurred in July.
ADF International said this “sets persuasive precedent for scores of Christians in Iraq facing serious legal and personal consequences” from being wrongly classified as Muslim in the government database. Misclassification can pose complications in education, marriage or inheritance.
The decision also is seen as granting Christians and other minorities more religious freedom in instances of misclassification.
ADF International plans to support similar legal action for Maryam’s two sisters after they reach adulthood.
Iraq is No. 18 on Open Doors’ 2026 World Watch List of the 50 places most difficult to be a Christian.
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